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Memories of the 60’s, by Willie Birch (1992). Papier mâché, mixed media. Courtesy of Arthur Roger Gallery, New Orleans.

La American Federation of Arts revoluciona la escena cultural con su nueva temporada de exposiciones itinerantes

Más de 11 ciudades estadounidenses acogerán exhibiciones que visibilizan a mujeres artistas, fotógrafos icónicos y la vanguardia del arte moderno

Más de 11 ciudades estadounidenses acogerán exhibiciones que visibilizan a mujeres artistas, fotógrafos icónicos y la vanguardia del arte moderno

25 fotografías
11 de Septiembre de 2025
Memories of the 60’s, by Willie Birch (1992). Papier mâché, mixed media. Courtesy of Arthur Roger Gallery, New Orleans.

Memories of the 60’s, by Willie Birch (1992). Papier mâché, mixed media. Courtesy of Arthur Roger Gallery, New Orleans.

Memories of the 60’s, by Willie Birch (1992). Papier mâché, mixed media. Courtesy of Arthur Roger Gallery, New Orleans.

1/25
The Osteology Lesson of Dr. Sebastiaen Egbertsz, artist unknown (1619). Oil

The Osteology Lesson of Dr. Sebastiaen Egbertsz, artist unknown (1619). Oil

The Osteology Lesson of Dr. Sebastiaen Egbertsz, artist unknown (1619). Oil.

2/25
Uptown Memories (A Day in the Life of the Magnolia Project), by Willie Birch (1995). Painted papier-mâché and mixed media. New Orleans Museum of Art, Gift of Frederick R. Weisman. Image Copyright of New Orleans Museum of Art. Photo by Roman Alokhin.

Uptown Memories (A Day in the Life of the Magnolia Project), by Willie Birch (1995). Painted papier-mâché and mixed media. New Orleans Museum of Art, Gift of Frederick R. Weisman. Image Copyright of New Orleans Museum of Art. Photo by Roman Alokhin.

Uptown Memories (A Day in the Life of the Magnolia Project), by Willie Birch (1995). Painted papier-mâché and mixed media. New Orleans Museum of Art, Gift of Frederick R. Weisman. Image Copyright of New Orleans Museum of Art. Photo by Roman Alokhin.

3/25
Crisscross, by Sarah Sze (2021). Oil, acrylic, acrylic polymer, and ink on composite aluminum panel, with wood support. Collection of the Shah Garg Foundation.

Crisscross, by Sarah Sze (2021). Oil, acrylic, acrylic polymer, and ink on composite aluminum panel, with wood support. Collection of the Shah Garg Foundation.

Crisscross, by Sarah Sze (2021). Oil, acrylic, acrylic polymer, and ink on composite aluminum panel, with wood support. Collection of the Shah Garg Foundation.

4/25
Sunday Afternoon, by Edward L. Loper (1948). Oil on canvas. Courtesy of the Pennsylvania Academy of the Fine Arts, Philadelphia and Edward Loper, Sr. Gift of Dr.George J. Roth. Photograph by Barbara Katas.

Sunday Afternoon, by Edward L. Loper (1948). Oil on canvas. Courtesy of the Pennsylvania Academy of the Fine Arts, Philadelphia and Edward Loper, Sr. Gift of Dr.George J. Roth. Photograph by Barbara Katas.

Sunday Afternoon, by Edward L. Loper (1948). Oil on canvas. Courtesy of the Pennsylvania Academy of the Fine Arts, Philadelphia and Edward Loper, Sr. Gift of Dr.George J. Roth. Photograph by Barbara Katas.

5/25
Memories of the 60’s, by Willie Birch (1992). Papier mâché, mixed media. Courtesy of Arthur Roger Gallery, New Orleans.

Memories of the 60’s, by Willie Birch (1992). Papier mâché, mixed media. Courtesy of Arthur Roger Gallery, New Orleans.

Memories of the 60’s, by Willie Birch (1992). Papier mâché, mixed media. Courtesy of Arthur Roger Gallery, New Orleans.

1/25
The Osteology Lesson of Dr. Sebastiaen Egbertsz, artist unknown (1619). Oil

The Osteology Lesson of Dr. Sebastiaen Egbertsz, artist unknown (1619). Oil

The Osteology Lesson of Dr. Sebastiaen Egbertsz, artist unknown (1619). Oil.

2/25
Uptown Memories (A Day in the Life of the Magnolia Project), by Willie Birch (1995). Painted papier-mâché and mixed media. New Orleans Museum of Art, Gift of Frederick R. Weisman. Image Copyright of New Orleans Museum of Art. Photo by Roman Alokhin.

Uptown Memories (A Day in the Life of the Magnolia Project), by Willie Birch (1995). Painted papier-mâché and mixed media. New Orleans Museum of Art, Gift of Frederick R. Weisman. Image Copyright of New Orleans Museum of Art. Photo by Roman Alokhin.

Uptown Memories (A Day in the Life of the Magnolia Project), by Willie Birch (1995). Painted papier-mâché and mixed media. New Orleans Museum of Art, Gift of Frederick R. Weisman. Image Copyright of New Orleans Museum of Art. Photo by Roman Alokhin.

3/25
Crisscross, by Sarah Sze (2021). Oil, acrylic, acrylic polymer, and ink on composite aluminum panel, with wood support. Collection of the Shah Garg Foundation.

Crisscross, by Sarah Sze (2021). Oil, acrylic, acrylic polymer, and ink on composite aluminum panel, with wood support. Collection of the Shah Garg Foundation.

Crisscross, by Sarah Sze (2021). Oil, acrylic, acrylic polymer, and ink on composite aluminum panel, with wood support. Collection of the Shah Garg Foundation.

4/25
Sunday Afternoon, by Edward L. Loper (1948). Oil on canvas. Courtesy of the Pennsylvania Academy of the Fine Arts, Philadelphia and Edward Loper, Sr. Gift of Dr.George J. Roth. Photograph by Barbara Katas.

Sunday Afternoon, by Edward L. Loper (1948). Oil on canvas. Courtesy of the Pennsylvania Academy of the Fine Arts, Philadelphia and Edward Loper, Sr. Gift of Dr.George J. Roth. Photograph by Barbara Katas.

Sunday Afternoon, by Edward L. Loper (1948). Oil on canvas. Courtesy of the Pennsylvania Academy of the Fine Arts, Philadelphia and Edward Loper, Sr. Gift of Dr.George J. Roth. Photograph by Barbara Katas.

5/25
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